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Smile when You Call Me a Hillbilly

Smile when You Call Me a Hillbilly PDF Author: Jeffrey J. Lange
Publisher: University of Georgia Press
ISBN: 9780820326238
Category : Music
Languages : en
Pages : 313

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Book Description
Today, country music enjoys a national fan base that transcends both economic and social boundaries. Sixty years ago, however, it was primarily the music of rural, working-class whites living in the South and was perceived by many Americans as “hillbilly music.” In Smile When You Call Me a Hillbilly, Jeffrey J. Lange examines the 1940s and early 1950s as the most crucial period in country music’s transformation from a rural, southern folk art form to a national phenomenon. In his meticulous analysis of changing performance styles and alterations in the lifestyles of listeners, Lange illuminates the acculturation of country music and its audience into the American mainstream. Dividing country music into six subgenres (progressive country, western swing, postwar traditional, honky-tonk, country pop, and country blues), Lange discusses the music’s expanding appeal. As he analyzes the recordings and comments of each of the subgenre’s most significant artists, including Roy Acuff, Bob Wills, Bill Monroe, Hank Williams, and Red Foley, he traces the many paths the musical form took on its road to respectability. Lange shows how along the way the music and its audience became more sophisticated, how the subgenres blended with one another and with American popular music, and how Nashville emerged as the country music hub. By 1954, the transformation from “hillbilly” music to country music was complete, precipitated by the modernizing forces of World War II and realized by the efforts of promoters, producers, and performers.

Smile when You Call Me a Hillbilly

Smile when You Call Me a Hillbilly PDF Author: Jeffrey J. Lange
Publisher: University of Georgia Press
ISBN: 9780820326238
Category : Music
Languages : en
Pages : 313

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Book Description
Today, country music enjoys a national fan base that transcends both economic and social boundaries. Sixty years ago, however, it was primarily the music of rural, working-class whites living in the South and was perceived by many Americans as “hillbilly music.” In Smile When You Call Me a Hillbilly, Jeffrey J. Lange examines the 1940s and early 1950s as the most crucial period in country music’s transformation from a rural, southern folk art form to a national phenomenon. In his meticulous analysis of changing performance styles and alterations in the lifestyles of listeners, Lange illuminates the acculturation of country music and its audience into the American mainstream. Dividing country music into six subgenres (progressive country, western swing, postwar traditional, honky-tonk, country pop, and country blues), Lange discusses the music’s expanding appeal. As he analyzes the recordings and comments of each of the subgenre’s most significant artists, including Roy Acuff, Bob Wills, Bill Monroe, Hank Williams, and Red Foley, he traces the many paths the musical form took on its road to respectability. Lange shows how along the way the music and its audience became more sophisticated, how the subgenres blended with one another and with American popular music, and how Nashville emerged as the country music hub. By 1954, the transformation from “hillbilly” music to country music was complete, precipitated by the modernizing forces of World War II and realized by the efforts of promoters, producers, and performers.

Nashville Cats

Nashville Cats PDF Author: Travis D. Stimeling
Publisher: Oxford University Press
ISBN: 0197502822
Category : Music
Languages : en
Pages : 336

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Book Description
The Nashville Cats bounced from studio to studio along the city's Music Row, delivering instrumental backing tracks for countless recordings throughout the mid-20th century. Music industry titans like Chet Atkins, Anita Kerr, and Charlie McCoy were among this group of extraordinarily versatile session musicians who defined the era of the "Nashville Sound," and helped establish the city of Nashville as the renowned hub of the record industry it is today. Nashville Cats: Record Production in Music City is the first account of these talented musicians and the behind-the-scenes role they played to shape the sounds of country music. Many of the genre's most celebrated artists-Patsy Cline, Jim Reeves, Floyd Cramer, and others immortalized in the Country Music Hall of Fame and musicians from outside the genre's ranks, like Bob Dylan and Leonard Cohen, heard the call of the Nashville Sound and followed it to the city's studios, recording song after song that resonated with the brilliance of the Cats. Author Travis D. Stimeling investigates how the Nashville system came to be, how musicians worked within it, and how the desires of an ever-growing and diversifying audience affected the practices of record production. Drawing on a rich array of recently uncovered primary sources and original oral histories,Âinterviews with key players, and close exploration of hit songs, Nashville Cats brings us back into the studios of this famous era, right alongside the remarkable musicians who made it happen.

With Amusement for All

With Amusement for All PDF Author: LeRoy Ashby
Publisher: University Press of Kentucky
ISBN: 0813171326
Category : Social Science
Languages : en
Pages : 712

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Book Description
With Amusement for All is a sweeping interpretative history of American popular culture. Providing deep insights into various individuals, events, and movements, LeRoy Ashby explores the development and influence of popular culture -- from minstrel shows to hip-hop, from the penny press to pulp magazines, from the NBA to NASCAR, and much in between. By placing the evolution of popular amusement in historical context, Ashby illuminates the complex ways in which popular culture both reflects and transforms American society. He demonstrates a recurring pattern in democratic culture by showing how groups and individuals on the cultural and social periphery have profoundly altered the nature of mainstream entertainment. The mainstream has repeatedly co-opted and sanitized marginal trends in a process that continues to shift the limits of acceptability. Ashby describes how social control and notions of public morality often vie with the bold, erotic, and sensational as entrepreneurs finesse the vagaries of the market and shape public appetites. Ashby argues that popular culture is indeed a democratic art, as it entertains the masses, provides opportunities for powerless and disadvantaged individuals to succeed, and responds to changing public hopes, fears, and desires. However, it has also served to reinforce prejudices, leading to discrimination and violence. Accordingly, the study of popular culture reveals the often dubious contours of the American dream. With Amusement for All never loses sight of pop culture's primary goal: the buying and selling of fun. Ironically, although popular culture has drawn an enormous variety of amusements from grassroots origins, the biggest winners are most often sprawling corporations with little connection to a movement's original innovators.

Categorizing Sound

Categorizing Sound PDF Author: David Brackett
Publisher: Univ of California Press
ISBN: 0520248716
Category : Music
Languages : en
Pages : 376

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Book Description
"Categorizing Sound addresses the relationship between categories of music and categories of people: in other words, how do particular ways of organizing sound become integral parts of whom we perceive ourselves to be and of how we feel connected to some people and disconnected from others? After an introduction that discusses the key theoretical concepts to be deployed, Categorizing Sound presents a series of case studies that range from foreign music, race music, and old-time music in the 1920s up through country and rhythm and blues in the 1980s. Each chapter focuses not so much on the musical contents of these genres as on the process of 'gentrification' through which these categories are produced."--Provided by publisher.

The Country Music Reader

The Country Music Reader PDF Author: Travis D. Stimeling
Publisher: Oxford University Press
ISBN: 0190233737
Category : Music
Languages : en
Pages : 376

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Book Description
In The Country Music Reader Travis D. Stimeling provides an anthology of primary source readings from newspapers, magazines, and fan ephemera encompassing the history of country music from circa 1900 to the present. Presenting conversations that have shaped historical understandings of country music, it brings the voices of country artists and songwriters, music industry insiders, critics, and fans together in a vibrant conversation about a widely loved yet seldom studied genre of American popular music. Situating each source chronologically within its specific musical or cultural context, Stimeling traces the history of country music from the fiddle contests and ballad collections of the late nineteenth and early twentieth centuries through the most recent developments in contemporary country music. Drawing from a vast array of sources including popular magazines, fan newsletters, trade publications, and artist biographies, The Country Music Reader offers firsthand insight into the changing role of country music within both the music industry and American musical culture, and presents a rich resource for university students, popular music scholars, and country music fans alike.

Record Cultures

Record Cultures PDF Author: Kyle Barnett
Publisher: University of Michigan Press
ISBN: 047203877X
Category : Music
Languages : en
Pages : 332

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Book Description
Tracing the cultural, technological, and economic shifts that shaped the transformation of the recording industry

Jim Reeves

Jim Reeves PDF Author: Larry Jordan
Publisher: JIM REEVES: HIS UNTOLD STORY
ISBN: 0615524303
Category : Country musicians
Languages : en
Pages : 661

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Book Description
Velvet-voiced Jim Reeves was not only one of the worlds most popular (and enduring) recording stars, he was one of the most fascinating. Now, in this truly intimate and scrupulously well-researched 672-page biography, author Larry Jordan tells an engrossing story, taking you virtually day by day through Jims life. Over 11 years in the writing, this riveting bio is based on hundreds of interviews as well as Jims personal diaries and private correspondence. There are many intriguing -- even explosive -- revelations here, in a portrait that is honest, though sometimes painful; poignant, yet full of good humor. More than 150 rare photos depict the private as well as public side of the unforgettable "Gentleman Jim." Billboard and Country Music People have given it rave reviews, and the book has been Nominated for the prestigious Belmont Award for the Best Book on Country Music.

Ernest Tubb

Ernest Tubb PDF Author: Ronnie Pugh
Publisher: Duke University Press
ISBN: 9780822321903
Category : Music
Languages : en
Pages : 512

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Book Description
Paperback edition of Fall ‘96 title.

The Hayloft Gang

The Hayloft Gang PDF Author: Chad Berry
Publisher: University of Illinois Press
ISBN: 0252075579
Category : History
Languages : en
Pages : 215

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Book Description
An astute collection of inquiries into the rich history and impact of the National Barn Dance

Dreaming of Dixie

Dreaming of Dixie PDF Author: Karen L. Cox
Publisher: Univ of North Carolina Press
ISBN: 0807834718
Category : Social Science
Languages : en
Pages : 210

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Book Description
From the late nineteenth century through World War II, popular culture portrayed the American South as a region ensconced in its antebellum past, draped in moonlight and magnolias, and represented by such southern icons as the mammy, the belle, the chival