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Robert James NelsonAuthor: Robert James Nelson Publisher: University of Illinois Press ISBN: 9780252015021 Category : Fiction Languages : en Pages : 173
Book Description
Willa Cather's Transforming Vision: New France and the American Northeast explores Cather's search for meaning and a domestic center, in particular as her search was influenced by her feelings for New France and the American Northeast. Including biography, critical overview, and primary research into both Cather's writing and some of her most unusual historical sources, this study focuses on Shadows on the Rock, while incorporating this pivotal novel into the larger pattern of Cather's growing need for belonging and order. Shadows on the Rock, set in the city of Quebec ("Kebec") at the end of the seventeenth century, is Cather's fullest expression of love for French culture and its adaptation to New World soil. But more than a mere extolling of what Mme. Auclair in Shadows proudly calls "our way" - a skill with all things domestic that, she boasts, renders the French "the most civilized people in Europe" - this novel is a statement of faith in the ability of both individuals and larger societal orders to work together for the creation of an all-encompassing whole. Writing at mid-life, after the recent illnesses and deaths of her parents, Cather could posit in her story of New France a familial order much larger than the domestic heart of her earlier masterpiece, My Antonia. In all of Quebec, as in the incomplete but fruitful home of the widowed apothecary Euclide Auclair and his daughter Cecile, life is sustained by a merging of gender and social roles, as a bishop can become the symbolic head of an entire church as well as of a troubled family, and a bellicose count can play as warm and nurturing a role as the gentlest of parents.
Book Description
This comparative study of Edith Wharton and Willa Cather combines biographical, historical, and literary analyses with a focus on place and aesthetics to reveal the profound similarities in their theories of fiction, their understanding of the interconnectedness of place, culture, and experience, and their concerns about American culture.
Book Description
Willa Cather was twenty-eight years old in the summer of 1902 when she saw England and France for the first time. Behind her stretched the Nebraska fields of her childhood and still ahead of her the world as it belongs only to great writers. The 1902 journey, coming ten years before she made her literary mark with O Pioneers!, was unrepeatable, special in its effects on her artistic development. After disembarking at Liverpool, she toured the Shropshire country, got swallowed up by London, and then crossed the Channel to other skies—to Rouen, Paris, and the Riviera. These fourteen travel articles, written for a newspaper in Lincoln, Nebraska, and eventually collected and published in book form in 1956, are striking for first impressions colored by a future novelist's feeling for history and for beauty in unexpected forms.
Book Description
"The essays in Cather Studies, Volume 8 explore the many locales and cultures informing Willa Cather's fiction. A lifelong Francophile, Cather first visited France in 1902 and returned repeatedly throughout her life. Her visits to France influenced not only her writing but also her interpretation of other worlds; for example, while visiting the American Southwest in 1912, a region that informed her subsequent works, she first viewed that landscape through the prism of her memories of Provence. Cather's intellectual intercourse between the Old and the New World was a two-way street, moving both people and cultural mores between the two. But her worlds extended far beyond France, or even geographical locations. This new volume pairs Cather innovatively with additional influences---theological, aesthetic, even gastronomical---and examines her as tourist and traveler cautiously yet assiduoulsy exploring a diverse range of palces, ethnicities, and professions."--BOOK JACKET.
Book Description
Defending Willa Cather against historical and critical distortions, the author argues that Cather's central vision was a tragic vision of the human condition rather than a firm political agenda.
Book Description
'The Kingdom of Art' attempts to give a summary of the first, elementary principles on which one writer based her art, and then to present a collection of critical statements--personal and occasional as well as theoretical--that seem to give a realistic view of Willa Cather as she was in the years 1893-1896.
Book Description
Anna Pavlova's revolutionary debut in 1910 at the Metropolitan Opera House captivated the nation and introduced Americans to the charms of modern ballet. Willa Cather was among the first intellectuals to recognize that dance had suddenly been elevated into a new art form, and she quickly trained herself to become one of the leading balletomanes of her era. Willa Cather and the Dance: "A Most Satisfying Elegance" traces the writer's dance education, starting with the ten-page explication she wrote in 1913 for McClure's magazine called "Training for the Ballet." Cather's interest was sustained through her entire canon as she utilized characters, scenes, and images from almost all of the important dance productions that played in New York.
Book Description
In this first full-length study of male homosexuality in Cather's short stories and novels, John P. Anders examines patterns of male friendship ranging on a continuum from the social to the sexual. He reveals how Cather's work assumes an unexpected depth and complexity by drawing on both the familiar tradition of friendship literature inspired by classical and Christian texts and a homosexual legacy that is part of, yet distinct from, established literary traditions. ø Anders argues that Cather's artistic achievement is distinguished by her sexual aesthetics, an elusive literary style inextricably associated with homosexuality. His analysis demonstrates how a homosexual ethos and eros helped Cather develop a sensitivity to human variation and a style to accommodate it and thus became the objective correlative of her art, dramatizing the diversity of human nature as it deepens the mystery of her work.
Author: Robert James Nelson
Author: Robert James Nelson
Author: Gary Brienzo
Author: Julie Olin-Ammentorp
Author: Willa Cather
Author: Cather Studies
Author: Frederick M. Gervat
Author: Joan Ross Acocella
Author: Willa Cather
Author: Wendy K. Perriman
Author: John P. Anders