Isis Pelagia: Images, Names and Cults of a Goddess of the Seas PDF Download
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Book Description
In Isis Pelagia, Laurent Bricault offers a new interpretation of many of the various sources on Isis as a goddess of the seas in the Graeco-Roman world.
Book Description
In Isis Pelagia, Laurent Bricault offers a new interpretation of many of the various sources on Isis as a goddess of the seas in the Graeco-Roman world.
Book Description
Seit 2004 gibt der Verlag De Gruyter in Zusammenarbeit mit der International Society for the Study of Deuterocanonical and Cognate Literature das Deuterocanonical and Cognate Literature · Yearbook (DCLY) heraus. Die Gesellschaft widmet sich dem Studium der Bücher der griechischen Bibel (Septuaginta), die nicht in der hebräischen Bibel enthalten sind, und der späteren jüdischen Literatur, also etwa aus der Zeit vom 3. Jahrhundert v. Chr. bis zum 1. Jahrhundert n. Chr. Die Jahrbücher publizieren die Referate und Ergebnisse der internationalen Konferenzen der Gesellschaft. Die Ausgaben 2005 bis 2011 sind weiterhin online erhältlich. – Prayer from Tobit to Qumran, ed. by Renate Egger-Wenzel and Jeremy Corley (2004) – The Book of Wisdom in Modern Research, ed. by Angelo Passaro, Giuseppe Bellia, John J. Collins (2005) – History and Identity, ed. by Núria Calduch-Benages and Jan Liesen (2006) – Angels, ed. by Friedrich Reiterer, Tobias Nicklas and Karin Schöpflin (2007) – Biblical Figures in Deuterocanonical and Cognate Literature, ed. by Hermann Lichtenberger and Ulrike Mittmann-Richert (2008) – The Human Body in Death and Resurrection, ed. by Tobias Nicklas, Friedrich Reiterer, Joseph Verheyden (2009)
Book Description
The book examines the process of symbolic and material alteration of religious images in antiquity, the middle ages and the modern period. The process by which the form and meaning of images are modified and adapted for a new context is defined by a large number of spiritual, religious, artistic, geographical or historical circumstances. This book provides a defined theoretical framework for these symbolic and material alterations based on the concept of iconotropy; that is, the way in which images change and/or alter their meaning. Iconotropy is a key concept in religious history, particularly for periods in which religious changes, often turbulent, took place. In addition, the iconotropic process of appropriating cult images brought with it changes in the materiality of those images. Numerous accounts from antiquity, the middle ages and the modern period detail how cult images were involved in such processes of misinterpretation, both symbolically and materially. The book will be of interest to scholars working in art history, visual culture and religious history.
Book Description
This volume tackles the role of smell, under-explored in relation to the other senses, in the modern rejection, reappraisal and idealisation of antiquity. Among the senses olfaction in particular has often been overlooked in classical reception studies due to its evanescent nature, which makes this sense difficult to apprehend in its past instantiations. And yet, the smells associated with a given figure or social group convey a rich imagery which in turn connotes specific values: perfumes, scents and foul odours both reflect and mould the ways in which a society thinks or acts. Smells also help to distinguish between male and female, citizens and strangers, and play an important role during rituals. The Smells and Senses of Antiquity in the Modern Imagination focuses on the representation of ancient smells - both enticing and repugnant - in the visual and performative arts from the late 18th century up to the 21st century. The individual contributions explore painting, sculpture, literature and film, but also theatrical performance, museum exhibitions, advertising, television series, historical reenactment and graphic novels, which have all played a part in reshaping modern audiences' perceptions and experiences of the antique.
Book Description
Why did Egyptian cults, especially those dedicated to the goddess Isis and god Sarapis, spread so successfully across the ancient Mediterranean after the death of Alexander the Great? How are we limited by the established methodological apparatus of historiography and which innovative methods from other disciplines can overcome these limits? In this book, Tomáš Glomb shows that while the interplay of different factors such as the economy, climate, and politics created favorable conditions for the early spread of the Isiac cults, the use of innovative quantitative methods can shed new light and help disentangle the complex interplay of individual factors. Using a combination of geospatial modeling, mathematical modeling, and network analysis, Glomb determines that, at least in the regions of the Hellenistic Aegean and western Asia Minor, the political channels created by the Ptolemaic dynasty were a dominant force in the local spread of the Isiac cults. An important contribution to the historiography of the ancient Mediterranean, this book answers the specific question of “how it happened” as well as, “how can we answer it beyond the limits of the established methodological apparatus in historiography.”
Book Description
15 Egyptological and Papyrological papers investigate a great variety of issues, including social and religious aspects of life in ancient Egypt, ritual and magic, language and literature, ideology of death, demonology, the iconographical tradition, and intercultural relations, ranging chronologically from the Prehistoric to the Coptic period.
Book Description
Presenting dynamic research, this publication explores two millennia of cultural interactions between Egypt, Greece, and Rome. From Mycenaean weaponry found among the cargo of a Bronze Age shipwreck off the Turkish coast to the Egyptian-inspired domestic interiors of a luxury villa built in Greece during the Roman Empire, Egypt and the Classical World documents two millennia of cultural and artistic interconnectedness in the ancient Mediterranean. This volume gathers pioneering research from the Getty scholars' symposium that helped shape the major international loan exhibition Beyond the Nile: Egypt and the Classical World (J. Paul Getty Museum, 2018). Generously illustrated essays consider a range of artistic and other material evidence, including archaeological finds, artworks, papyri, and inscriptions, to shed light on cultural interactions between Egypt, Greece, and Rome from the Bronze Age to the Late Period and Ptolemaic dynasty to the Roman Empire. The military's role as a conduit of knowledge and ideas in the Bronze Age Aegean, and an in-depth study of hieroglyphic Egyptian inscriptions found on Roman obelisks offer but two examples of scholarly lacunae addressed by this publication. Specialists across the fields of art history, archaeology, Classics, Egyptology, and philology will benefit from the volume's investigations into syncretic processes that enlivened and informed nearly twenty-five hundred years of dynamic cultural exchange. The free online edition of this open-access publication is available at www.getty.edu/publications/egypt-classical-world/ and includes zoomable, high-resolution photography. Also available are free PDF, EPUB, and Kindle/MOBI downloads of the book.
Book Description
The Roman Empire was home to a fascinating variety of different cults and religions. Its enormous extent, the absence of a precisely definable state religion and constant exchanges with the religions and cults of conquered peoples and of neighbouring cultures resulted in a multifaceted diversity of religious convictions and practices. This volume provides a compelling view of central aspects of cult and religion in the Roman Empire, among them the distinction between public and private cult, the complex interrelations between different religious traditions, their mutually entangled developments and expansions, and the diversity of regional differences, rituals, religious texts and artefacts.
Book Description
'This is a gripping book... A fascinating account of the way in which succeeding generations have seen Cleopatra; as virtuous suicide, inefficient housewife, exuberant lover, professional courtesan, scheming manipulator, femme fatale, incarnation of Isis and bimbo' - Economist
Author: Laurent Bricault
Author: Laurent Bricault
Author: Stefan Beyerle
Author: Jorge Tomás García
Author: Adeline Grand-Clément
Author: Tomáš Glomb
Author: Electra Apostola
Author: Jeffrey Spier
Author: Jörg Rüpke
Author: Adolf Hoffmann
Author: Lucy Hughes-Hallett