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Tableaux Vivants

Tableaux Vivants PDF Author: Grace Ann Hovet
Publisher: Xlibris Corporation
ISBN: 1462817793
Category : Literary Criticism
Languages : en
Pages : 221

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Book Description
Grace Ann Hovet contends in this study of novels written by middle-class white American women from 1850 to the contemporary period that their portrayals of the development of female identity adds a great deal of supporting evidence to the assertion of several influential psychologists, social scientists, and philosophers that, while identity is surely shaped in part by culture and social structures, it is also unique to each individual. In the words of Mark Tappan in Narratives and Story Telling, an inner self defines itself through an ongoing dialogue between the internally persuasive discourse of individual consciousness and the authoritarian enforced discourse of the dominant culture and institutions (1991, 18). In the novels considered here, much of the inner discourse is performed. The female protagonist understands that she is expected to act out the accepted feminine role. As a consequence, the inner self expresses itself through the conscious manipulation of the image. For this reason, Professor Hovet argues that tableaux vivants provide an apt central metaphor for the development of female identity in these novels. These living pictures consist of individuals, usually women, carefully costumed and posed to replicate famous scenes from history and the arts. In the nineteenth century, these tableaux evolved in the United States into an extremely popular parlor game or entertainment interlude in middle-class social gatherings. In the novels, Lily Barts portrayal of Joshua Reynoldss Mrs. Lloyd in Edith Whartons The House of Mirth provides the most vivid example. But the novels also make it clear that tableaux vivants were a part of everyday life as young women learned to pose before others as the model of feminine beauty or as the angel in the house. This study adds to those of Susan Fraiman, Lori Merish, and Nancy Armstrong that describe the relationship of novels to the development of middle-class subjectivity. In particular, it explains the process by which a female subjectivity evolved in the United States from the mid-nineteenth to late-twentieth century. Employing a historical continuum, Professor Hovet selected for study novels that she saw as most influential in the culture of the United States because of their ongoing popularity and continued presence in the culture. Literary historians consider Susan Warners The Wide, Wide World (1850) to be Americas first best seller. Little Women (1869) has been one of the most read and loved novels, at least among young female readers, for more than a century and has been made into at least four well-known movies with stars the caliber of Katherine Hepburn and Winona Ryder. Harriet Beecher Stowes My Wife and I (1871) was hugely successful in an intensely competitive serial fiction market. Kate Chopins The Awakening (1899) has become a mainstay in literature and womens studies classrooms and has been made into at least two movies, End of August and Grand Isle. Edith Whartons The House of Mirth (1905) was not only popular among middle-class readers of the time but has become known to mass culture through the 2000 movie version. Margaret Mitchells Gone with the Wind (1936) and its movie version generated the term blockbuster. Harper Lees To Kill a Mockingbird has been one of the most widely read books of the twentieth century, and the movie starring Gregory Peck is now a cultural icon. Marilyn Frenchs The Womens Room (1977) remains a cause celebre, and Mona Simpsons Anywhere But Here (1986) was reprinted six times within two months of its publication and became a movie starring Susan Sarandon. The study also tries to show how depictions of female identity surfaced tensions and anxieties in the dominant social discourse. All the novels in this analysis are so-called crossover novels. The term crossover has become common in culture studies, particularly in analyses of the way some works reach a large enough audience to breach the walls that t

Tableaux Vivants

Tableaux Vivants PDF Author: Grace Ann Hovet
Publisher: Xlibris Corporation
ISBN: 1462817793
Category : Literary Criticism
Languages : en
Pages : 221

View

Book Description
Grace Ann Hovet contends in this study of novels written by middle-class white American women from 1850 to the contemporary period that their portrayals of the development of female identity adds a great deal of supporting evidence to the assertion of several influential psychologists, social scientists, and philosophers that, while identity is surely shaped in part by culture and social structures, it is also unique to each individual. In the words of Mark Tappan in Narratives and Story Telling, an inner self defines itself through an ongoing dialogue between the internally persuasive discourse of individual consciousness and the authoritarian enforced discourse of the dominant culture and institutions (1991, 18). In the novels considered here, much of the inner discourse is performed. The female protagonist understands that she is expected to act out the accepted feminine role. As a consequence, the inner self expresses itself through the conscious manipulation of the image. For this reason, Professor Hovet argues that tableaux vivants provide an apt central metaphor for the development of female identity in these novels. These living pictures consist of individuals, usually women, carefully costumed and posed to replicate famous scenes from history and the arts. In the nineteenth century, these tableaux evolved in the United States into an extremely popular parlor game or entertainment interlude in middle-class social gatherings. In the novels, Lily Barts portrayal of Joshua Reynoldss Mrs. Lloyd in Edith Whartons The House of Mirth provides the most vivid example. But the novels also make it clear that tableaux vivants were a part of everyday life as young women learned to pose before others as the model of feminine beauty or as the angel in the house. This study adds to those of Susan Fraiman, Lori Merish, and Nancy Armstrong that describe the relationship of novels to the development of middle-class subjectivity. In particular, it explains the process by which a female subjectivity evolved in the United States from the mid-nineteenth to late-twentieth century. Employing a historical continuum, Professor Hovet selected for study novels that she saw as most influential in the culture of the United States because of their ongoing popularity and continued presence in the culture. Literary historians consider Susan Warners The Wide, Wide World (1850) to be Americas first best seller. Little Women (1869) has been one of the most read and loved novels, at least among young female readers, for more than a century and has been made into at least four well-known movies with stars the caliber of Katherine Hepburn and Winona Ryder. Harriet Beecher Stowes My Wife and I (1871) was hugely successful in an intensely competitive serial fiction market. Kate Chopins The Awakening (1899) has become a mainstay in literature and womens studies classrooms and has been made into at least two movies, End of August and Grand Isle. Edith Whartons The House of Mirth (1905) was not only popular among middle-class readers of the time but has become known to mass culture through the 2000 movie version. Margaret Mitchells Gone with the Wind (1936) and its movie version generated the term blockbuster. Harper Lees To Kill a Mockingbird has been one of the most widely read books of the twentieth century, and the movie starring Gregory Peck is now a cultural icon. Marilyn Frenchs The Womens Room (1977) remains a cause celebre, and Mona Simpsons Anywhere But Here (1986) was reprinted six times within two months of its publication and became a movie starring Susan Sarandon. The study also tries to show how depictions of female identity surfaced tensions and anxieties in the dominant social discourse. All the novels in this analysis are so-called crossover novels. The term crossover has become common in culture studies, particularly in analyses of the way some works reach a large enough audience to breach the walls that t

Home Pastimes; or Tableaux Vivants

Home Pastimes; or Tableaux Vivants PDF Author: James H. Head
Publisher: DigiCat
ISBN:
Category : Fiction
Languages : en
Pages : 136

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Book Description
DigiCat Publishing presents to you this special edition of "Home Pastimes; or Tableaux Vivants" by James H. Head. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.

Theatricals and Tableaux Vivants for Amateurs ...

Theatricals and Tableaux Vivants for Amateurs ... PDF Author: Charles Harrison (Editor of Moonshine.)
Publisher:
ISBN:
Category :
Languages : en
Pages :

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Monodrama, Attitudes, Tableaux Vivants

Monodrama, Attitudes, Tableaux Vivants PDF Author: Kirsten Gram Holmström
Publisher: Stockholm : Almqvist & Wiksell
ISBN:
Category : Acting
Languages : en
Pages : 278

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Slow Art

Slow Art PDF Author: Arden Reed
Publisher: Univ of California Press
ISBN: 0520285506
Category : Art
Languages : en
Pages : 296

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Book Description
"More Americans visit art museums annually than attend all major-league sporting events. Yet many come away dissatisfied, because art rarely yields itself to the few seconds most viewers spend on individual works. In a culture of distraction, Slow Art models ways to extend and enrich acts of looking. This study defines a new aesthetic field crossing centuries and mediums, including video, photography, land and installation art, painting, performance, sculpture, and fiction. Also tableaux vivants ("living pictures"), live restagings of artworks. Often dismissed as marginal, the practice is fundamental--poised between motion and stasis, life and art--witness its current flourishing. This history of looking includes Diderot, Emma Hamilton, Oscar Wilde, Jeff Wall, Sam Taylor-Johnson, Andy Warhol, Richard Serra. But rather than a set of objects, slow art names a dynamic relationship that transpires between objects and observers. Slow art enacts tacit contracts between works that have designs on us and beholders who invest in them. Slow art emerged in the 18th century, when cultural acceleration created the need to cushion the pace of social life. Simultaneously, however, secularization closed off traditional means to do so. Slow art offers secular viewers pleasures and consolations that engaging sacred images did in ages of faith. Slow art offers objects their due attention, and offers observers meaningful encounters. Such experiences are available to everybody by practicing the pleasures of lingering. Because such opportunities are not given, Slow Art proposes strategies for artists, artworks, and beholders"--Provided by publisher.

Music Hall and Modernity

Music Hall and Modernity PDF Author: Barry J. Faulk
Publisher: Ohio University Press
ISBN: 9780821441398
Category : Literary Criticism
Languages : en
Pages : 256

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Book Description
The late-Victorian discovery of the music hall by English intellectuals marks a crucial moment in the history of popular culture. Music Hall and Modernity demonstrates how such pioneering cultural critics as Arthur Symons and Elizabeth Robins Pennell used the music hall to secure and promote their professional identity as guardians of taste and national welfare. These social arbiters were, at the same time, devotees of the spontaneous culture of “the people.” In examining fiction from Walter Besant, Hall Caine, and Henry Nevinson, performance criticism from William Archer and Max Beerbohm, and late-Victorian controversies over philanthropy and moral reform, scholar Barry Faulk argues that discourse on music-hall entertainment helped consolidate the identity and tastes of an emergent professional class. Critics and writers legitimized and cleaned up the music hall, at the same time allowing issues of class, respect, and empowerment to be negotiated. Music Hall and Modernity offers a complex view of the new middle-class, middlebrow mass culture of late-Victorian London and contributes to a body of scholarship on nineteenth-century urbanism. The book will also interest scholars concerned with the emergence of a professional managerial class and the genealogy of cultural studies.

Framing Pictures

Framing Pictures PDF Author: Steven Jacobs
Publisher: Edinburgh University Press
ISBN: 0748688714
Category : Performing Arts
Languages : en
Pages : 224

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Book Description
Steven Jacobs' book provides a unique critical intervention into a relatively new area of scholarship - the multidisciplinary topic of film and the visual arts.

Edith Wharton and the Visual Arts

Edith Wharton and the Visual Arts PDF Author: Emily J. Orlando
Publisher: University of Alabama Press
ISBN: 0817315373
Category : Art
Languages : en
Pages : 250

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Book Description
An insightful look at representations of women’s bodies and female authority. This work explores Edith Wharton's career-long concern with a 19th-century visual culture that limited female artistic agency and expression. Wharton repeatedly invoked the visual arts--especially painting—as a medium for revealing the ways that women's bodies have been represented (as passive, sexualized, infantalized, sickly, dead). Well-versed in the Italian masters, Wharton made special use of the art of the Pre-Raphaelite Brotherhood, particularly its penchant for producing not portraits of individual women but instead icons onto whose bodies male desire is superimposed. Emily Orlando contends that while Wharton's early work presents women enshrined by men through art, the middle and later fiction shifts the seat of power to women. From Lily Bart in The House of Mirth to Undine Spragg in The Custom of the Country and Ellen Olenska in The Age of Innocence, women evolve from victims to vital agents, securing for themselves a more empowering and satisfying relationship to art and to their own identities. Orlando also studies the lesser-known short stories and novels, revealing Wharton’s re-workings of texts by Browning, Poe, Balzac, George Eliot, Sir Joshua Reynolds, and, most significantly, Dante Gabriel Rossetti. Edith Wharton and the Visual Arts is the first extended study to examine the presence in Wharton's fiction of the Pre-Raphaelite poetry and painting of Rossetti and his muses, notably Elizabeth Siddall and Jane Morris. Wharton emerges as one of American literature's most gifted inter-textual realists, providing a vivid lens through which to view issues of power, resistance, and social change as they surface in American literature and culture.

Women's Camera Work

Women's Camera Work PDF Author: Judith Fryer Davidov
Publisher: Duke University Press
ISBN: 9780822320678
Category : Photography
Languages : en
Pages : 494

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Book Description
How photographs create history and how some of the most important women photographers created their photographs.

The Book of Drawing-room Plays and Evening Amusements

The Book of Drawing-room Plays and Evening Amusements PDF Author: Henry Dalton
Publisher:
ISBN:
Category : Amateur plays
Languages : en
Pages : 448

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